It pairs perfectly with the bold visuals, assembled like a mixed media collage from papercraft and CGI. Acting as supporting fabric for the game’s calculated madness is a soundtrack that is all at once chilling and soothing, filled with the kind of melodious twinkling that emits from a haunted music box. It’s hard to stay frustrated when you finally discover a sense of direction, and that direction is decoding a treasure trove of foreign symbols.
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Year Walk has you completely.Įven when the next goal is shrouded in mystery and you find yourself walking in circles, Simogo proves they know exactly when and where to drop new breadcrumbs, and how to craft narrative through puzzling. Certain trees have mysterious animal symbols on them followed by indications of a peculiar…is it a language? Hastily, you fish for some scraps upon which to write things down – in real life, not the game. Or is it? You can hardly remember your way back to the windmill – if that’s even where you’re supposed to go, and everything looks the same. Her dialogue spurs you to traipse your way back to your starting cabin, where a goal becomes clear in your out of body state: find a mysterious key that unlocks a gate which waits patiently at the end of the wood. What begins as aimless swiping from side to side in an effort to catalog the game’s expansive forest soon leads to the first major discovery – a windmill, where a young woman stands waiting. From the moment the introductory story scrolls down the screen to the game’s shockingly blunt ending, Year Walk oscillates effortlessly between a sense of maddening confusion and spectacular detail. Simogo bets big on the idea that their meticulously crafted world is so worth exploring that they don’t need to provide any direction not a single instruction detailing how to interact, and nothing resembling a hint in sight. Along the way, the game delivers puzzles and lore that reveal the morbid secrets of the character making the journey.Īs an adventure game, Year Walk captures much of the same lightning that made Myst such a phenomenon, walking the razor’s edge of structure and ambiguity with confidence. With obvious inspiration from the point-and-click adventure genre, Year Walk sets players on a first person journey through the Swedish wilderness as part of a titular vision quest: a many hundreds year-old practice used to escape the physical realm and tamper with the past and future. And while that’s a word that gets bandied about pretty freely as a casual replacement for “game,” that’s very much what the two man team has crafted here. To describe Simogo‘s latest in too much detail would be a disservice to the experience. A minute detail that has – much like the game it came from – wormed its way inside my brain and left a small, indelible mark. Now, however, I half expect the world to drop away between one stride and the next, the pedestrian-packed streets replaced with a harrowing wood filled with mystical creatures.
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It doesn’t help that I live in perpetually blustery Ottawa, Ontario, where a boot print full of powder is never more than a couple steps outside your door during February.
Days after finishing Year Walk, it’s the persistent, echoing crunch of snow that has stuck with me. ‘Walk With Me’ has won Best Outstanding Actor and the Spirit Award at Brooklyn Film Festival and Best Emerging Filmmaker at Manhattan Film Festival, Best Female Composer at Toronto Int’l Women’s Festival, Best LGBTQ Film at Lady Filmmakers, Best Feature at New York Int'l Women's Film Festival and was selected as a Centerpiece Film at Kashish Mumbai International Film Festival.The crunch. ‘Walk With Me’ has screened at many festivals worldwide including Cinequest Film Festival and Inside Out Film Festival amongst others. Filmed in four one week intervals over the course of a year, with a micro-budget and a lot of love, ‘Walk With Me’ is an intimate, beautiful film that explores womanhood, love and the courage it takes to step into ones life. Based in Brooklyn, NY, ‘Walk With Me’ is an indie film in its truest sense.
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